Life in a Bradford tower block: It’s about citizens, not cladding.

Two weeks on from the horrific fire at London’s Grenfell Tower, I feel angrier and more depressed than ever. Not only for the obvious reasons — the appalling and completely avoidable deaths of at least 79 residents, young and old — but also now because the public discussion seems to have descended into petty, buck-passing arguments over combustible insulation cladding. Central government blames local councils for not inspecting their housing stocks fast enough, while local councils blame building contractors for supplying substandard materials. And meanwhile, in those UK cities such as Bradford where there has so far been no sign of suspect cladding, we get to act like it’s somebody else’s problem entirely. Earlier this week, a report by the Telegraph and Argus confirmed the early reassurances from the city’s largest social housing provider, InCommunities, that “our high-rise blocks” use “non-combustible rock wool insulation which is not the same as that used in London.” Nothing to see here. Move along please…

And yet there is absolutely something to see here. Because while Grenfell tower’s flammable cladding seems to have been the immediate cause of this fire spreading so rapidly and lethally, there had long been concerns that any number of problems with that building were potentially life-threatening. The residents of Grenfell Tower had been well aware of this for years, but found that their concerns were repeatedly “brushed away” by the relevant authorities. So let’s not confuse the symptoms with the disease. This is not a story about cladding, it’s a story about ordinary people not being listened to. It’s a nationwide pathology, and one that is only perpetuated by the cat-fighting at governance level about who did (or didn’t) do what when. When you’re shouting, you’re not listening.

“Residents feel abandoned by those with the power,” London’s mayor Sadiq Khan has said of Grenfell tower: “They didn’t know where to go or what to do. Residents feel that they are neglected because they are poor.” That experience is certainly not unique to London. Khan’s comments immediately reminded me of the Crosley Wood estate in Bingley — three tower blocks troubled by a multitude of problems, where the residents I’ve encountered feel largely abandoned by both InCommunities and by Bradford Council (who seem powerless to enforce any accountability on the housing association). Last year, I made a short film, High Rise Damp, which tried to look at these issues through the eyes of one family living on the estate. Here it is:

This is Jenni M. She and her family live on the eighth floor of ten in Peel House, one of the three Crosley Wood tower blocks. It stands right next to the Leeds-Liverpool Canal, which is why our Multi-Story Water project – working alongside Shipley’s Kirkgate Centre – became involved in a community engagement process there. The canal, we’ve found, is experienced by residents as one of the few upsides to living on this estate. But residents at Crosley Wood also experience water in their lives in much more immediate and troublesome ways – in the form of persistent damp problems throughout the buildings, often manifesting as black mould. This poses serious health risks: as Jenni explains in the film, her son Dylan suffers from chronic asthma which is likely a consequence of the damp. Yet all her attempts to have the problem addressed or even taken seriously by InCommunities haveseemingly fallen on deaf ears. Making this film was my attempt to have her tell her story, for anyone who might be willing to listen, as simply and directly as possible.

There is, unfortunately, nothing unusual or exceptional about Jenni’s story. That’s sort of the point. As Emma Dent Coad, the new MP for Kensington and Chelsea MP (whose constituency includes Grenfell Tower) remarked during her maiden speech to Parliament in the wake of the fire disaster, “I’ve seen housing conditions that are shocking… Homes growing toxic black mould… Chronic health problems such as asthma, with children being carted off to hospital at night.” Dent Coad has accused Kensington council of presiding over the “deterioration and perhaps even deliberate managed decline of social housing” in that borough. Making a similar point, another London MP, David Lammy (who personally knew one of the victims of the Grenfell fire, the acclaimed photographer Khadija Saye) has gone so far as to call it a case of “corporate manslaughter” – avoidable deaths caused by neglect and a lack of care.

Now, I’m not going to accuse anyone in Bradford of doing anything criminal, but we only need to look as far as the comments thread on InCommunities’ own Facebook pages to see that a great many of the housing association’s residents have faced comparable difficulties with run-down, substandard housing stock — and with a perceived lack of concern from those responsible. At the time of writing this post, the most recent comment is one from June 21st, from a resident whose “house was a disgrace” from the day she moved in, with unsafe wiring: but when she “rang incommunities [they] were rude and arrogant”. “Some people that work here are dishonest”, writes another complainant: “they just lied they do what suits them”. And another: “Absolutely fed up! I moved into one of your houses 2 years ago and spent every bit of my savings on doing up the whole house as it was an absolute disaster.” I have not cherry-picked these quotes – they’re among the first things that come up on the feed, and are completely typical of what follows. In fact this thread is such a litany of horror that my colleague Lyze Dudley recently decided to run the entire comments chain through a software programme to identify the most insistent complaints. This is what she found, represented as a “word-cloud” visual:

This image sort of speaks for itself. The word “thanks” does come up, but so too do “disgusting” and “joke”. And notice just how prominent that word “water” is in the mix. Whether it be issues of damp or problems with water supplies, InCommunities tenants experience water as one of the big negatives of their living conditions. Thankfully, the word “fire” does not appear. Yet.

I should stress that I am not trying to say InCommunities does nothing right. Indeed early last week, a few days after the Grenfell fire, its Chief Executive Geraldine Howley (left) was awarded an OBE in the Queen’s Birthday Honours List, “in recognition of her services to housing, young people and the local community.” To earn this accolade, I’ve no doubt that Ms. Howley has done things at governance level that have made positive differences in people’s lives. And yet there is also, clearly, a serious disconnect between the management perspective and the perspectives of residents. So there’s an urgent need — in Bradford as well as in London — for constructive, respectful dialogue between authorities and tenants.

Perhaps that is just what InCommunities have been attempting this spring/summer, through a series of events and “walkabouts” they’ve set up on Bradford estates. At Crosley Wood, they laid on a well-attended “Fun Day” for residents on June 1st, which featured lots of music and bunting, free food and drink for residents (up to a point – when you’d had your allocation you had to pay for any more), as well as a caving bus, face painting and other family activities. There was also an information marquee offering advice on debt management, ways to save on household energy bills, and so on. There seemed to be a real effort to engage with residents, particularly by the new housing officer Joanne, and lots of people clearly had a really enjoyable time.

I asked Jenni (pictured below) what she made of the Fun Day. She was very grateful for it, she said, and suggested that a lot of the credit for the event and its positivity should go to Joanne — who is friendly, personable, enthusiastic and clearly concerned for residents’ welfare. Even so, Jenni sounded a note of caution about whether a single housing officer could ultimately make any real difference in terms of the wider problems faced by residents. “We’ve had good officers before,” she told me, “and they all seem to get beaten down in the end.”

That rather bleak assessment, reflecting a wariness borne of experience, was echoed by others who attended the Fun Day. Lyze Dudley, who also took these photographs, spoke to numerous residents on the day, and while most were appreciative of what had been laid on, some of them also remarked that they didn’t understand what this event was for: were InCommunities really going to address their concerns, or was this just a PR exercise? “The feeling was”, Lyze wrote in her notes, “that this has happened in the past. There’s a nice event where free food and drink is given out, residents are asked for their opinions and then nothing changes. One resident informed me that she would rather they spent the money on repairs to the flats rather than a party.” Of course, repairs would cost a lot more than a party – and that’s exactly the problem. Social housing in this country has been chronically under-funded for decades.

Another resident reported to Lyze his fears for the future of Crosley Woods’ portacabin community centre (rather peculiarly referred to as “the Kabin” in publicity for this event): “Joanne has informed him that they plan to change the locks on the cabin, essentially putting a stop to any of the sessions that currently run from here and taking ownership away from the residents who are taking responsibility for the cabin and have done for the past two years. Unfortunately he cannot tell me why or when this may happen.” It may be that this fear proves unfounded – let’s hope so. But unfortunately, the experience of Crosley Woods residents has in the past been of things being taken away from them, rather than provided to them.

This was underlined most chillingly by Jenni, when I phoned her recently to see if she was concerned about fire safety, following the Grenfell disaster. “We used to have a really good fire safety system”, she told me: “We had heat detectors, smoke alarms, and a common alarm system for the entire block. So if a fire started somewhere, we all knew about it.” That system also sent an automatic alert to the fire brigade, who would then respond swiftly. However, after the building was renovated a few years ago (Jenni doesn’t recall the exact year, but the Conservative-Lib Dem coalition were in power), the alarm system was not replaced. Now, fire safety has simply become a private matter of residents’ individual responsibility. If your smoke alarm goes off, Jenni says, you have to decide for yourself whether to inform your neighbours or call the fire brigade. It’s all down to you. 

[Please note: some of the statements in the paragraph above have since proved to be inaccurate. For corrections see here.]

That about sums it up, doesn’t it? It’s an endemic problem in modern Britain that people are too often just left to fend for themselves. We are expected to be personally “resilient” in the face of crisis, and we shouldn’t necessarily expect any help from the authorities. The Grenfell fire exposed the murderous reality of what that means in practice, but it was — as the tower’s residents were well aware — an accident waiting to happen. As for Bradford, well… cladding problem or no cladding problem, attention must be paid. 

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My thanks to Ruth Bartlett and Lyze Dudley for assistance with this post.

We welcome comments, feedback and corrections.

“Site-specific” pop-up films for Saltaire Arts Trail

[note: this piece was originally posted on 1st June but had to be taken down and and then restored for technical reasons. The text remains as was.]

It’s not every day you get to watch a film under water… But last weekend (May 27-28), that’s exactly what audiences were doing near the River Aire, west of Roberts Park…

We made a little pop-up cinema in the small passageway that runs underneath the Barden Aqueduct — the stone ‘beehive’ structure at the end of the Higher Coach Road flood plain — to screen the world premiere of Floody, a 9 minute movie masterpiece made with the Young Artists of Higher Coach Road…

This was the view from ‘backstage’ area, looking towards the river and the rest of the aqueduct — which for 150+ years has carried water supplies to Bradford, en route from the Yorkshire Dales. This passage under the pipe bridge was itself completely submerged during the major flood on Boxing Day 2015 — another reason why we dubbed this pop-up space “The Underwater Cinema”…

Here’s the entrance to the cinema (with a couple of lucky punters just entering!). It was identifiable mainly by the bit of black cloth hung across the entrance, to block out light, and the tell-tale sign of the hazard-taped extension cable carrying power to the projector from the nearest house… Audience capacity was limited, but at 9 minutes long we could restart the film regularly for the next group of passers-by, and we had a pretty steady stream of visitors, coming off the riverside path near the footbridge across the Aire…

As a film, Floody is very much the vision of the ‘Young Artists’ — a group of mostly primary-age children who have been meeting most Wednesday afternoons, for almost a year, for open air art workshops on the flood plain between the river and the Higher Coach Road estate. Indeed, the film features footage from one of these workshops, which have been run by the amazing Nicola Murray, of Spongetree arts in Baildon…

Facilitated in film-making workshops by Simon Kerrigan and Sian Williams (who also then edited the footage into its final form), the kids devised, acted, and shot a kind of horror thriller, in which a monster called Floody evolves from plastic bags abandoned in the river, and brings on an enormous storm, before being vanquished by the heroic children (who then remind us always to put our plastic bags in the recycling…). And if you think that sounds not-too-scary, well, there really is a moment in the film that made a lot of people jump… (As this hilarious bit of footage of “young artist” Leo demonstrates! Thanks Ruth Bartlett!)

The pop-up screening was arranged as an unofficial contribution to Saltaire Arts Trail, which runs every year on the last weekend of May. The “trail” is officially limited to a tour around Saltaire mill village itself: you get to nose around various people’s homes, which have been temporarily transformed into miniature art galleries displaying work from far and near. But we thought why not get people to “trail” out a little further along the river, and as some of the comments left in our feedback box showed, visitors to SAT were delighted to discover this added extra!

The ‘lure’ for visitors to walk out along the riverbank was another pop-up film installation in Roberts Park… (People who enjoyed this one were encouraged to venture out further for its companion piece.) The Salt Lions was set up in one of the park shelters (the one closest to the HCR estate), and attracted a consistent stream of visitors, who came off the sun-soaked park promenade to enjoyed the shade and a bit of a sit-down…

The Salt Lions is a 6-minute spin-off from the film project, which celebrates the Victorian bedtime tale of how the stone lions on Victoria Road  would leave their pedestals at night and wander down to the river to drink its waters. The kids responded to this by making a sepia-tinted silent movie, complete with captions, in which three of them hunt high and low around Saltaire for the “missing” lions…

Despite our best efforts with hessian hangings, it was difficult to mask the light out as much in the park shelter as under the aqueduct, so the film image was fainter and smaller (as the projector had to be placed fairly close to the screen). In a weird way, though, this complemented the silent movie “look” of the film, making it feel very old school indeed, like an old fairground cinematograph… And certainly audiences did not complain (kids of all ages, used to hi-tech digital gadgetry, watched this flickering image with rapt attention!). There was something about the film that just worked in this setting at the end of a Victorian park promenade… which of course was part of the intention.

This is Hannah, who features prominently in both our films – as she’s one a hard-core group of “young artists” who were ever present during the making of them. (Many more tended to come and go, depending on weather and mood…) Among the other stalwarts were Leo and Oliver – pictured below. These three not only hung out supporting the screenings at park and pipe bridge all day Sunday, they also showed up bright and early on the morning of bank holiday Monday having overnight prepared a new advertising hoarding for the park screening. Not only that… they had hand-signed whole fistfuls of autograph slips to hand out to their adoring public… (in their hands below)

The only problem was that by comparison with the sunny weekend, the Monday turned out to be cold and drizzly — with both park and flood plain thus largely deserted of passers-by (except for reluctant dog-walkers). We therefore took the collective decision not to try to remount our outdoor screenings — and instead got permission from Half Moon Cafe to set up indoors with them…

Having opted for a single location, we alternated screening both films for a few hours to customers coming into the cafe. I have to say that the atmosphere wasn’t quite the same: both films had worked particularly well in their sited settings (monster movie in the dark under the bridge; sepia cinema on the park promenade…) and the more neutral cafe setting didn’t have quite the same charge. But The Salt Lions could at least be seen better… Meanwhile, the kids themselves became the show, hiding behind the screen and popping out at the end (as if breaking out of the film!) to bow for applause and even take questions…

The Young Artists clearly took great pride in showing off what they had made to the public, and didn’t tire at all of watching the same short pieces over and over again with new audiences. And they handed out a lot of autographs… The project of working with these kids over the last year has been very beneficial for their personal confidence (a point marvelled at by some of their teachers, Nicola tells me), and in some ways it’s the environmental aspect of this that’s been most important. By that, I don’t just mean working with natural materials, which they have done a lot of in the art workshops. My point is that, because we had to work outside in the open air (because there is no obvious indoor space in which to congregate on the estate), the kids have always known they can walk away at any time… (and when it’s cold or wet, they’ve done just that!) Perhaps paradoxically, it’s that freedom to move in or out that has allowed them to commit… without ever feeling trapped in a room, or as if they were “at school”. The degree of dedication and buy-in which some of them have shown as a result is really striking… They didn’t have to be there, and so they chose to invest themselves. And we’re all really proud of the results…

Community Spirit beats Corporate Power? (Twice this week)

[note: this piece was originally posted on 12th May, but for technical reasons has had to be removed and reposted. The text remains as was.]

This blog post is about two seemingly unrelated events that have taken place within the last week:

  1. At the Lord Mayor’s Dragon Boat Festival, in Saltaire’s Roberts Park last Saturday 6th May, the HCR Dragons finished 7th out of the 41 competing crews.
  2. Yesterday, Bradford Council’s planning officerannounced publicly that the consortium proposing to build a University Innovation Centre on Green Belt land at Milner Farm, Bingley, had withdrawn its application. The public hearing about the plans scheduled for Monday 15th May will therefore not now take place.

Now you might think this is a rather gratuitous attempt to connect things that have nothing to do with each other, but bear with me. First off, here’s the top results of the boat race:

The eventual winners, Provi-ducks (up from third last year – well done them!), are presumably representatives of the Provident Building Society. You can’t always tell a lot from the names these crews choose to call themselves, but Dragon Boat Festivals are conventionally set up (this is true at the annual Leeds Waterfront Festival too) as opportunities for businesses to do a bit of “team building” among staff. For the privilege, they pay a hefty entry fee, which goes to the Lord Mayor’s charities and the organising company.

Last year, however, the newly set-up Higher Coach Road Residents’ Group argued the case for admission to the race as a community crew. They couldn’t necessarily raise the full entry fee, they acknowledged, but they would do their best to raise as much as they could through personal sponsorship. And the Lord Mayor, surely, ought to be allowing community groups to participate — not least a group representing Higher Coach Road estate, since it sits directly west of Roberts Park. The Dragon Boats race along a stretch of the Aire that is visible from some of the residents’ homes! In short, the argument was: it’s our river too.

Difficult to argue with, once the point is made. HCRRG’s case was accepted, and the “HCR Dragons” thus competed at last year’s races, finishing 16th out of 45 boats — as reported in this blog post from a year ago. But that was then. This year, the team had its own rendezvous tent, pictured above, at which they displayed the hand-painted T-shirts worn by last year’s team. A year on, the HCR team was bigger, more organised, more prepared, and better dressed:

Still, note that Jolly Roger flying on the HCR banner in the background… These guys still see themselves as the pirate team gatecrashing the corporate party, and they were justifiably proud of themselves for finishing right up in 7th this year (one place behind our friends at Saltaire Brewery…). As this year’s team organiser Vicky Christensen memorably remarked in a Facebook comment:

“just shows you don’t need corporate sponsorship or huge companies backing you….couldn’t afford training sessions for any of us but team spirit and a love of our area pulled us together! I’m so proud of HCRRG!”

 

And this is where I move seamlessly (?) on to the development application for Milner Farm — just west (upstream) of the Higher Coach Road estate. The Multi-Story Water team has a longstanding interest in this area: check out our downloadable audio guide Salt’s Waters — which takes listeners on a walking tour that literally loops all the way around Milner Farm (starting from Salts Mill, you go beside the Aire through Roberts Park and the HCR estate, before exploring the tributary streams Loadpit Beck and Little Beck, on a journey to the ruins of Titus Salt Junior’s Milner Field House… before heading down Primrose Lane to the canal and back east towards Saltaire…).

I wrote about the Milner Farm development plans in my last blog post, on the day that Bradford’s planning officer came out in opposition to the scheme. It seemed clear then that the writing was on the wall for the applicants — so it’s hardly surprising that they have indeed now withdrawn from the battle. Technically they could still resubmit a revised application, but after a public online consultation in which objectors outnumbered supporters of the proposals by 1370 to just 6, it seems likely that they will finally back down and walk away. The concerted opposition that has defeated the proposals was, I think, another local expression of what Vicky calls “team spirit and a love of our area.”

We shouldn’t under-estimate just how significant a victory this is. Because the applicants represented a consortium of quite powerful business interests. Powerful enough, at least, for them to presume that they could talk aggressively and dismissively about opposition to the plans when addressing Bradford Council’s executive officers. Just check out the wording, below, of an email written back on 17th March by David Halliday of Halliday Clark Architects — representing the applicants — to Julian Jackson, Bradford’s Assistant Director for Planning and Transport, and sits alongside key corporate partners on the Steering Group of the Bradford Property Forum):

“The applicants and the wider investment group are now extremely concerned at what appears to be . . . continual resistance to this planning application. . . . My Clients are finding it extremely frustrating that your Officers are stepping out of their remit as Statutory Consultees to question the financial stability, business acumen and business strategy with regard to the proposal for a Business & Innovation Centre on this site. The worldwide profile and status of the 3M Corporation is unquestionable as well as the support of Bradford University, Huddersfield University and the Hartley Property Group. We now believe that these U-turns and continual resistance to the application now need addressing at the most senior level with a meeting held between yourselves, the Case Officers, the Chief Executive of Bradford Council and the Leader of Bradford Council, together with representation from the Client Group and ourselves as Agent, to simply address the question as follows. ‘Do Bradford MDC encourage external investment in innovation and resultant job creation or not?'” 

The answer to this rhetorical question is of course intended to be “yes, obviously”. As far as the applicants are concerned, it should be self-evident that corporate investment needs to be gratefully welcomed by the local authorities. The council officers who are resistant are thus “stepping out of their remit” — so let’s go over their heads and talk to the headmaster! The arrogance here is self-evident. But it turns out that there is also a big fat fib in amongst the bluster. Dogged campaigner Les Brook went as far as contacting representatives of the 3M corporation, who confirmed that they had very little to do with the application and really shouldn’t be invoked as evidence of the consortium’s “business acumen”. As they explained: “3M has an indirect two per cent beneficial interest in the [Milner Field] project [but] is not involved in nor has any influence over day-to-day operations or decision making on this matter, and therefore our position on the proposal is one of neutrality.” Ouch.

The most spectacular case of the applicants shooting themselves in the foot, though, came with the small matter of Fisherman’s Bridge (and here’s my “water story” for today). Seen in the video pasted above, this is the single-lane bridge across the Leeds-Liverpool Canal, just west of Dowley Gap locks, at the bottom of Primrose Lane… Since the road entrance to Milner Farm is off Primrose Lane, just uphill from the canal, anyone trying to approach the farm from the south (i.e. from Bradford!) needs to cross the canal here. The new “Innovation Centre” development would, self-evidently, have added to the volume of traffic coming across this bridge (the name alone tells you that people would be coming and going a lot — researchers, inventors, investors, you name it…).

Now the developers, of course, tried to claim that the increase in traffic would only be minimal — a mere 3% increase on existing levels. It’s one of the many questionable claims of low-to-no environmental impact that they tried to put forward in defence of building on greenbelt land. But in support their own claims, they had a traffic consultancy (the beautifully named “Paragon Highways“) make a film of peak hour traffic flows across Fisherman’s Bridge. That’s the film pasted in above. And anyone viewing it objectively can immediately see just how potentially dangerous that bridge is! Droves of schoolchildren cross it, mere inches away from the traffic and with no elevated pavement to protect them… The fact that there have been no reported accidents on the bridge is surely more a matter of luck than judgement — it literally looks like an accident waiting to happen — and so Bradford’s Highways Officer opposed the Milner Farm plans simply on the grounds that the bridge is already dangerous enough. The consortium ignored that argument, with the Paragon report translating cars and pedestrians into a series of innocuous-sounding numbers and conveniently avoiding the glaring question of child safety on this bridge… Yet their own video is enough to set alarm bells ringing. In short, the applicants seem to have allowed personal business interests to blind them to the evidence of their own eyes…

The failure of the Milner Farm scheme is evidence, then, that concerted public action (driven by tireless campaigners such as Les Brook) really can make a difference in a world that so often seems to be dominated by an unholy alliance of political and business interests. And the success of this particular campaign, I think, lay in the fact that it drew together people from right across the political spectrum. The motives of the “no” campaign seem to have been many and various. Some wanted to support the interests of the Downs family — the working tenant farmers for whom Milner Farm is home. Some were concerned about conservation – in the small ‘c’ conservative sense of leaving the landscape exactly as we find it (an admirable position in some ways, but ultimately quite difficult to defend: for instance, the Higher Coach Road estate itself would never have been built if a concern to protect green fields was always the primary consideration in any planning decision). Others again simply distrusted the claims of the developers that their impact on the landscape would be minimal… and as an employee of a University I can certainly vouch for the fact that Universities will very rarely leave any land available to them untouched over the longer term…

In my own view, a development at Milner Farm could have been the thin end of a wedge that might ultimately have led to Coach Road itself being extended right through the farm’s landscape to connect up with Bingley … thereby bypassing the problem of Fisherman’s Bridge and creating another Aire valley road link of the sort the authorities so often seem to dream about… Bradford Council’s officers ultimately came out against the scheme on this occasion, but they were certainly encouraged to do so by the concerted public outcry.

It won’t have escaped your notice that Britain goes to the polls again in less than a month, for another general election. At times like this it’s as well to remember that — much as we might sometimes doubt it, we really can make a difference. Let’s all do our homework carefully, and — whichever way we vote — vote wisely…

Just Say “No” to the proposed Milner Farm development

[note: this piece was originally posted on 5th May, but for technical reasons has had to be removed and reposted. The text remains as was.]

Ten days from now — on May 15th, from 10am — the Regulatory and Appeals Committee of Bradford Council will hold a public hearing to discuss proposals for an “Innovation Centre” to be built on the footprint of the existing farm buildings of Milner Farm, Bingley. We are all invited to turn up and register our views on the planning application, whether pro- or con.

Here is a short, musical message for the Committee’s consideration, recorded the other weekend at the Higher Coach Road Residents’ Group’s “1950s picnic”, for Saltaire’s World Heritage Weekend:

The words to the song, in case you can’t make them out from the video, run as follows:

“Welcome to our Airedale home / We’re glad to see you all here,

We’ll go and put the kettle on / If you’ll just sit yersen in a chair

There’s allus a welcome around, IF / You leave the place as you found it

Cos we’ll not stand no muckin’ around with / Our ‘andsome Airedale ‘ome.”

And then there’s a verse, newly composed, which you can make out for yourself…

“Welcome to Our Airedale Home” was written by singer-songwriter Eddie Lawler, “the bard of Saltaire” (seen here on the far left of the frame) way back in the 1970s, as a contribution to the road protest movement against plans to drive a dual carriageway straight down the Aire valley. That plan, which would have been disastrous for the local environment, was fought off by concerted community activism (and some famous fisticuffs at Shipley Town Hall). Eddie dusted the song off this year in the hopes that this latest plan to mess with the greenbelt could also be sent packing…

The Higher Coach Road Residents Group is one of a number of local groups (including the single-interest Milnerfield Action Group) that have consistently opposed the redevelopment plans. Milner Farm lies directly to the west of the HCR estate, past Bradford Rowing Club. The farm’s fields come down a gently sloping hillside, and stop close to the banks of both the River Aire and the Leeds-Liverpool Canal (which cross over each other at the Seven Arches aqueduct).

This farmland, and the woodland to the north which contains the ruined remnants of Titus Salt Junior’s country mansion, Milner Field House, was once all owned by the Salt family. Today, it belongs to the Hartley Property Trust, which has entered into a consortium with partners including Bradford University, to propose a development that it claims will be a “beacon of excellence” for Bradford.

The public, however, is overwhelmingly underwhelmed by these claims. An online consultation which closed a couple of weeks ago attracted a grand total of 1355 statements of opposition to the plans, and only 6 in favour (a truly pitiful total by any standards – do the developers have no friends at all??). And just today, a statement released by Bradford’s Planning Officer indicates that the official recommendation to the councillors on the Committee will also be one of opposition — on the basis of harm to the greenbelt. The statement is as follows:

The committee is asked to consider a planning application, ref. 15/05538/MAF to develop an Innovation Centre (sui generis use) on the site of Milner Field Farm, Gilstead, involving the demolition of certain existing farm buildings, refurbishment and change of use of other existing farm buildings and construction of new innovation centre buildings, the formation of a new car park and the undertaking of ancillary landscaping, drainage and access works and landscaping works to the wider farmland to provide for enhanced public access, including to the remains of Milner Field House, and ecological enhancement. The application is an EIA application, within the meaning of the Environmental Impact Assessment Regulations and is accompanied by an Environmental Statement.

The proposed development is inappropriate development within the Green Belt. Although the development would be likely to result in significant economic benefits, and additionally some public and biodiversity benefits associated with proposed woodland planting and increasing public access to the site, including to the remains of Milner Field House, it is considered that these benefits do not clearly outweigh the harm the development would cause to the Green Belt.

The development would also cause other harm, in terms of substantial harm to the Saltaire World Heritage Site and erosion of its Outstanding Universal Value, harm to the historic landscape associated with Milner Field House, harm to the particular character of the local wooded incline landscape, potential harm to the integrity of the adjacent Trench Meadows SSSI and harm through a reduction in road safety at the canal bridge on Primrose Lane. When these other forms of harm are considered in combination with the harm the development would cause to the Green Belt it is considered that the benefits of the development/ other considerations put forward by the applicant clearly do not outweigh this cumulative harm.

Let’s hope the councillors feel inclined to listen to their officers and to the public.

Do no harm.